"I have no idea what “The Hunger Games” is like. Maybe there are complicated shades of good and evil in each character. Maybe there are Pynchonesque turns of phrase. Maybe it delves into issues of identity, self-justification and anomie that would make David Foster Wallace proud. I don’t know because it’s a book for kids. I’ll read “The Hunger Games” when I finish the previous 3,000 years of fiction written for adults."
Tuesday, April 24, 2012
Thursday, April 19, 2012
"No Cars Go" - Arcade Fire
"Helena Beat" - Foster the People
"Two Weeks" - Grizzly Bear
"We Are Young" - Fun. (featuring Janelle Monae)
"Somebody That I Used To Know" - Gotye (featuring Kimbra)
"Gold On The Ceiling" - The Black Keys
"Rocket" - Goldfrapp
"11th Dimension" - Julian Casablancas
"Uprising" - Muse
"Seventeen" - Ladytron
"Spitting Games" - Snow Patrol
What songs are you enjoying these days?
Tuesday, April 17, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
"I appreciate the fact that when a TV show like “Girls” or movie like Bridesmaids is released, it can feel like a revelation. We’re so used to seeing ourselves portrayed in basic, often degrading ways, that when a developed, woman-written female character emerges, it feels like we’re able to come up for air. Lena Dunham is certainly admirable for her willingness to exhibit her non-model-esque body on film, a very welcome counterpoint to the unrelenting deluge of unrealistic body standards we are expected to aspire to. But it also seems like we might be so desperate for images of ourselves that are even mildly realistic, we give certain films and shows a pass in other arenas...""I often worry if some depictions aren’t just replacing the Mary-Eve dichotomy with an “Overachiever”- “Slacker” one. Bridesmaids was a good example of this: Hailed as a counterpoint to the man-saturated Apatow buddy oeuvre, it pitted a seemingly picture-perfect antagonist against an emotionally stunted hot mess of a protagonist and wrapped it up neatly at the end. Based on the trailers and preview clips for “Girls,” Dunham’s character reprises the concept of the hot-mess protagonist. It just seems like we deserve more than this."
"I also realize that, from a credible critical standpoint, it is not a good look to predetermine how one feels about a work of art without having experienced it first. But I can determine what I’m afraid “Girls” will be."
"Most of all, I’m afraid that “Girls” will be a “Sex and the City” redux, racially speaking: that its portrayal of New York City, the most ethnically diverse metropolis in the nation, will reduce its vast swathes of residents of color to background noise, to bit parts, to token roles in the lives of its privileged white main characters. The trailers depict as much, but for a token voice of wisdom in the form of a gynecologist, and I fear that this show will be another in a string that minimizes its own whiteness by touting its "liberalness." In her New York Magazine rave, Emily Nussbaum calls “Girls” “FUBU: for us by us,” and yet I’m worried that a lot of “us” aren’t going to recognize ourselves in this so-hailed feminist milestone of a show."